Sigma 30mm F1.4 Review & Sample Images

11 September 2007 by Pete Czech, Comments

Disclaimer: This review is from a prosumer photographer. I’m by no means a dedicated professional, but I know a thing or two by now and feel confident in sharing my opinion. If you have any questions, just leave a comment. I base my reviews on common sense usage and not on technical jargon. If the images look crappy, the review will be bad!

I’m pretty sure Google is smart enough to populate this ad with info about the Sigma f1.4. So, if you are looking to get one, you may want to check out the links they recommend:

30mm 1.4

This year I spent quite a bit of time (and money) investing in new equipment to build out my inventory. Having had an interest in prime lenses, I got one of these new Sigma 30mm F1.4 lenses. Built for digital, I figure it would be the perfect prime lens for either my Nikon D70 or Nikon D200.

Bottom Line: The Sigma 30mm f1.4 is a powerful prime for low-light situations. Anywhere else, the use is limited.

How I reach this conclusion is really determined by my style. First, I learned to shoot in the zoom lens age. So, I didn’t start with a series of prime lenses. I always had the spoils of a good zoom lens when I learned with my Nikon N70. As such, I didn’t learn the advantages of a powerful, wide open aperture (who spends that much money as a kid on a lens, anyway?). So, this served as another learning experience as I continue to develop my skills.

Like I said, this lens excels indoors in mixed light. My test experiments found that punching up to f1.8 or f2.0 yields superior results to shooting at f1.4 exclusively. I’m not a natural-light freak, but with this lens you’ll find less use of a flash. However, at f1.4 you’ll experience a good amount of soft focus. I don’t believe this is a technical flaw of the lens or its communication with the camera, but rather just my lack of experience with a wide open prime and its extremely shallow depth of field. If you have a subject that is willing to hold still for however long it takes you to focus, you can get some great shots at f1.4 – the pictures below of the cats are all f1.4. Because of softness, they have been sharpened using software. If you can’t work fast or get a still subject, stick to f1.8 or f2.0.

If you go outdoors – forget it. I’d rather use my 18-70 f3.5 Nikon Zoom or my 50-150mm f2.8 Sigma rather than use this. Outdoors = more space to move around and more need for a zoom range – if you are shooting action (kids playing, etc). I haven’t used this for landscapes yet, hopefully I can take it on some leafing excursions this fall and get a more thorough test. It’s very easy to leave this lens wide open when you run outside from inside and start taking some really crappy pictures (as I did, chasing a child from inside to out to grab a perfect shot). Nighttime or sunset? Then you can take this back out.

Recommended Use: If you are shooting an event indoors (wedding, party) and can sacrifice zoom range (perhaps by using two bodies at once), I’d want this lens. Recently shooting an event I had this lens in tandem with the f2.8 50-150 and was quite pleased with the results. If you have a lone body, you may want to reconsider unless you are set on the 30mm range, or it fits your style.

Now the pictures:

dsc_0058.jpgdsc_0172.jpgdsc_0198.jpgdsc_0233.jpgdsc_0209.jpgdsc_0230.jpgdsc_0272.jpgdsc_0112.jpgdsc_0122.jpgdsc_0144.jpgdsc_0209.jpg

More Information:

blog comments powered by Disqus